20 FREE New Business Card Templates for 2012 ***HOT DESIGN | recommended | donwload ***


http://www.webdesignmash.com


Although we are now near to the end of February it is still time to get yourself a brand new business card design for 2012. I have searched around the web and found some great FREE templates for you use and customise from Own Business Cards and Fresh Business Cards. Whether you are a designer, hairdresser or sales representative there is a neat collection to choose from. Get downloading today! I hope you enjoy the selection.

Font Used: Standard Photoshop fonts.
Size: 3.5”x2” (Excluding bleed area)
Zip file content: .PSD
Font: Impact, Franklin Gothic Medium

Pack: Templates, Preview, Fonts, Redme.txt
Size: (90×50)mm
Format: Vectors

Size: 3.5”x2” (Excluding bleed area)
Zip file content: .PSD
Font: Coolvetica

License: CC v3.0
Pack: Template + Font + Preview

Font Used: Standard Photoshop fonts.
Size: 3.5”x2” (Excluding bleed area)
Zip file content: .PSD
Font: Impact, Harabara

Leer más “20 FREE New Business Card Templates for 2012 ***HOT DESIGN | recommended | donwload ***”

You know you are a Designer when…….

Being a designer totally kicks butt! You become so engrossed in this profession that you fail to notice the awesomeness in it; which (other) people think is totally insignificant. Well, it is time to educate them and let them know why we are the real deal.

To be honest, I think I’ve learned a lot in the process of living the life of a designer. I’m sure you understand when I say this. So, I decided to gather a few peculiar behaviors of today’s designer. This may sound funny to many, but i guarantee this is true to the last nerve 🙂

Before I became a designer (or so I think), i used to find these behaviors hysterical but now I realize the more time I spent being a designer, the clearer it became. Anyway, I just thought I’d share a few of my thoughts on this. It is a weekend post, so have a good laugh 🙂

You know you are a Designer when…..

1. You (kinda)worship Paul Rand, Dieter Rams or Milton Glaser.
2. You can give a big lecture on the differences between ART and DESIGN.
3. You see Apple products and you are like “OMG… IT’S SHINY!!!”
4. Your desk is (mostly) clean and you like to keep it as simple as possible.
5. Your blood pressure increases drastically when you see someone using the Comic Sans font.
6. You HATE Comic Sans (just to be really sure!)
7. You like Helvetica but you think it is absolutely unnecessary to use it everywhere.
8. Just by the mere sight of Drop Shadow, Lens Flare and Bevel effect, you get a nervous breakdown.
9. You take nearly 15 minutes to experiment and decide on the perfect color palette.
10. GIF Images and scrolling texts make you go absolutely mad.
11. You pay (very)close attention to the tiniest of details and don’t want to make even the simplest of mistakes.
12. You see a typeface in a Logo and you go, “What if…..”
13. You (at least)know what HTML/CSS stands for.
14. If you lay your eyes on a board sign, you immediately start to wonder, “Is that Helvetica or Arial?”
15. You get excited when a non-designer asks you to explain your works and eventually get bugged trying to make him understand.
16. You have subscribed to nearly 50 RSS feeds.
17. You get the heebie jeebies when you hear someone say IE.
18. You know all the shortcuts by heart and can work in Photoshop blindfolded.
19. Your Bookmark collection is begging for mercy.
20. You get seriously MAD when someone uses Typeface and Font interchangeably.


Written by Richie
//richworks.in

you know you are a designer whenBeing a designer totally kicks butt! You become so engrossed in this profession that you fail to notice the awesomeness in it; which (other) people think is totally insignificant. Well, it is time to educate them and let them know why we are the real deal.

To be honest, I think I’ve learned a lot in the process of living the life of a designer. I’m sure you understand when I say this. So, I decided to gather a few peculiar behaviors of today’s designer. This may sound funny to many, but i guarantee this is true to the last nerve 🙂

Before I became a designer (or so I think), i used to find these behaviors hysterical but now I realize the more time I spent being a designer, the clearer it became. Anyway, I just thought I’d share a few of my thoughts on this. It is a weekend post, so have a good laugh 🙂

You know you are a Designer when…..

  1. You (kinda)worship Paul Rand, Dieter Rams or Milton Glaser.
  2. You can give a big lecture on the differences between ART and DESIGN.
  3. You see Apple products and you are like “OMG… IT’S SHINY!!!”
  4. Your desk is (mostly) clean and you like to keep it as simple as possible.
  5. Your blood pressure increases drastically when you see someone using the Comic Sans font.
  6. You HATE Comic Sans (just to be really sure!)
  7. You like Helvetica but you think it is absolutely unnecessary to use it everywhere.
  8. Just by the mere sight of Drop Shadow, Lens Flare and Bevel effect, you get a nervous breakdown.
  9. You take nearly 15 minutes to experiment and decide on the perfect color palette.
  10. GIF Images and scrolling texts make you go absolutely mad.
  11. You pay (very)close attention to the tiniest of details and don’t want to make even the simplest of mistakes.
  12. You see a typeface in a Logo and you go, “What if…..”
  13. You (at least)know what HTML/CSS stands for.
  14. If you lay your eyes on a board sign, you immediately start to wonder, “Is that Helvetica or Arial?”
  15. You get excited when a non-designer asks you to explain your works and eventually get bugged trying to make him understand.
  16. You have subscribed to nearly 50 RSS feeds.
  17. You get the heebie jeebies when you hear someone say IE.
  18. You know all the shortcuts by heart and can work in Photoshop blindfolded.
  19. Your Bookmark collection is begging for mercy.
  20. You get seriously MAD when someone uses Typeface and Font interchangeably. Leer más “You know you are a Designer when…….”

A Basic Look at Typography in Web Design


April 7th, 2010 by Shannon Noack

A Basic Look at Typography in Web Design

Typography is an integral part of design. Think of all the different uses of typography on the web, from large headlines and bold blocks of text to smaller-sized text in body copy, and you’ll soon realize that not only is it a crucial part of a web design, but that it’s a pure combination of art and science.

We’ve come a long way since the start of the internet, but the use of typography is as important today as it was back in the day.

Typography Basics

Typography Basics

Typography is the use of type in a design. Typography seeks to create a greater meaning by thoughtful and deliberate selection font, size, color, layout, alignment, and other factors that affect the design of type on a page.

There are two major classifications of fonts to choose from: serif and sans serif fonts.

Serif fonts have serifs or extra embellishments at the end of stokes; some call them feet or tails.

Typography Basics

Sans serif fonts are without serifs; no extra details are found on the end of each letter.

Typography Basics

Things to Consider for Typography on the Web

There are many differences in handling type in print versus on the web. Things to think about with text on the web are contrast, color, readability, and size.

Colors on a monitor screen are created by light, and it becomes more important to think about contrast because it’s straining to look at and read text with poor contrast. Black text on a white background is the easiest to read because it provides the most contrast. Color theory and color choice play an important role in web typography.

Sans serif fonts have been proven to be more easily read online in body copy because serifs make it tougher for the eye to follow, while the opposite is true for printed text.

Although at an increased size and with more leading—the amount of additional vertical space between lines of type—sans serif fonts can still work fine in body text on the web. Serifs work great in headlines and headings because they give a special accent to a headline and because serif fonts are easy to read when dealing with smaller quantities of text.

Size is an important factor to consider when choosing your font styles. Text that is too small is hard to read, but text that is too big takes up too much space. Find a size that works well with your design and is easy to read.

Taking Control of Fonts

There are many settings that control the way your font appears on a web page. Font size, as mentioned previously, is certainly important. The three most popular units of measurements are: em, percentage (%), and pixels (px).

Declaring font sizes in CSS is simple, here’s an example of paragraph elements being assigned a unit of 1em.

p {
 font-size: 1em;
}

Em is a widely used form of typographic measurement for web designs because it scales well and can give you finer increments of size (i.e. 1.35em).

Pixels are measured relative to the screen resolution and give you a bit less control as you can only use whole numbers (i.e. 2px).

Many people like using percentages for font sizes because they give the user control of font sizes. The size is determined by their browser’s font size settings.

Kerning and leading can also be controlled with your CSS. Kerning is the space between characters and can be controlled with the letter-spacing property. Leading can be controlled using the CSS property, line-height. Both are great ways to control the look of your text.

Other possible and less popular units of measurements are:

  • points (pt)
  • pica (pc)
  • inches (in)
  • centimeters (cm)
  • millimeters (mm)
  • x space (ex)

Using pt is great for print stylesheets because they are a print unit of measurement. Points shouldn’t be used in your web pages because there are big differences between browsers when using points; Mac OS computers tend to show text 25% smaller than PC computers.

Web Safe Fonts

Web Safe Fonts

What is a web safe or web standard font? These fonts make up a group of a select few fonts that are available on most computers. This is what currently limits font choices on the web under CSS2 specifications.

Choosing from the web safe fonts available will ensure better control over what your text looks like on all browsers and operating systems. The consensus for the most popular fonts are:

Other popular fonts:

  • Impact
  • Lucida Console (Mac OS equivalent is Monaco)
  • Lucida Sans (Mac OS equivalent is Lucida Grande)
  • Palatino
  • Tahoma (Mac OS equivalent is Geneva)
  • Comic Sans
  • Trebuchet MS

When using any of these fonts—especially the ones from the second list—it’s a great idea to include a few options to fall back on in your CSS, as explained in the following section.

Setting Your Fonts

There are a few methods to choose from to display fonts on your websites. If you’re using a web safe font, you can declare it via CSS, such as in the following example:

font-family: Helvetica, Arial, sans-serif;

It’s important to include several fonts just in case someone doesn’t have your first option. This gives your user’s browser something to fall back on. This list of fonts is called a font stack.

Redefining “web safe fonts” with CSS3

Current CSS3 specs allow you to choose from any licensed OpenType or TrueType font at your disposal. You can do this by using @font-face, as shown in the following example:

@font-face {
  font-family: "Journal; src: url(journal.ttf) format("truetype");
}
h1 {
  font-family: "Journal", sans-serif;
}

Font replacement tools

There are several font replacement methods at your disposal if you are still unsure about using @font-face in your designs.

Cufon

Cufon is a favorite font replacement tool to use because it’s relatively painless to integrate into a website. Plenty of documentation is available on their website, as well as the text generator that spits out code you’ll need. Although it’s a good, solid solution, it’s not without it’s downsides—currently text rendered by Cufon is not selectable by users.

Cufon

sIFR

sIFR is a Flash-based text replacement method and is just as nice as Cufon. You’ll need Flash to create a font file for your site. It’s best used on headlines or very small blocks of text because the load time can drag on a bit if you use it extensively on a web page. The downside is that it doesn’t work without Flash enabled in your browser, but the upside of sIFR versus Cufon is that text is selectable.

sIFR

Web Typography Mistakes

Web Typography Mistakes

Lack of typography consistency is one the biggest mistakes new web designers make. Font properties are best controlled globally, and it’s good practice to set the font family, size, color, line height and weight for the body element of all your pages through CSS, such as in the following example:

body { font: 1em/1.3em Helvetica, Arial, sans-serif; color: #000; }

You should set heading styles globally as well for h1, h2, and h3. Link styles should also be set globally.

Choosing fonts that are too similar is not a good choice, and should be avoided by carefully looking at the style of fonts and the design of the site to choose something that is appropriate. Most serif headings pair well with sans serif fonts for body text. Pairing two sans serif fonts is a bit trickier but is certainly a viable option.

Some Examples of Great Typography in Websites

In this section, you’ll find an array of websites that display effective typography usage.

Analog

The typography choices made here match the theme of the site very well. Type plays a big role in the look of this site, using color, size, font, spacing, and layout to enhance the overall look of the page.

Analog

Blue Pixel

Blue Pixel uses Cufon to create bold headlines. The body font and the headline font are both san serif and go together well.

Blue Pixel

Festival Boreal

Cufon is also used here to add a unique look to the site through typography. Color, different sizes, and a fun asymmetrical layout create a great typographical design.

Festival Boreal

Go Media Inc

A mixture of a few different font themes creates a great web design here. The navigation is clean-cut with thin, uppercase type that is nicely paired with an italic serif font for taglines and headings on pages.

Go  Media Inc

Kari Jobe

Courier—a serif font—is paired with a few sans serif fonts in this design. The fonts work together with the design to create a look that brings together an old-world style with a new bright and modern feel.

Kari Jobe

SimpleBits

This site has lots of type and is organized well with set styles that create a user-friendly site. Bold uppercase type in the upper navigation work well with the sans serif body text and red serif headlines.

SimpleBits

We Are VI

This blog has several font styles at work and uses typography to their advantage by keeping the site organized and easy to navigate.

We  Are VI

Information Highwayman

Typography is used in the background as a design element, creating a great backdrop that doesn’t distract from the body text. The rest of the text complements the style, with good-sized easy to read body text using a serif font.

Information Highwayman

Check out this showcase of 20 websites with beautiful typography for more design inspiration and examples.

Additional Resources on Web Typography

I hope you enjoyed this look at typography in web design. Typography is a broad topic but an important concept to understand as a designer of any kind.

How heavily does typography play into the aesthetics of a web design? How much time should you spend on typography when designing a site?

Related Content

About the Author

Shannon Noack is a designer in Arizona and the Creative Director of Snoack Studios. Designing is her passion in life and she loves to create websites, logos, print work, you name it. She also blogs regularly here and you can connect with her on Twitter as well.

http://sixrevisions.com/web_design/a-basic-look-at-typography-in-web-design/

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The Worlds Greatest Top 10 Graphic Designers



Top 10 Graphic Designers

Here it is the best of the best. Some of the most influential and inspiring people of all time, the list of Graphic Designers that have really inspired and influenced us all. These people are not in any particular order because whos to say one is better then the other but the reality is these people will always be known as the greatest of their time.

SaulBass

Saul bass has a very unique style of designing. With a lovley handmade feel to his typography, illustations and layouts Saul’s work creates a masterpiece. Everything about his work is natural, tactile and, above all, unique.