You might find it helpful to use one workspace for drafting/sketching/experimenting, and another for reviewing your work.
Before you start work, take a moment to reflect on the advantages of having a finely honed critical faculty.
Another thing to try before you start work is telling yourself, “I’m not really going to start just yet, I’ll just make a few sketches” – or scribble a few notes, or practice a few scales, or the equivalent for your creative medium.
When you’re working, if the Critic starts telling you what’s wrong with the piece, ask yourself, “So what does the work need instead?” or “So what do I need to do to make it better?”
If the Critic keeps interfering, promise yourself that you’ll do a critical review at the end of this stage of execution – so you can afford to ignore her now and keep your momentum going.
You and Your Critic
When have you been most grateful for possessing sharp critical judgment?
Do you agree that your Inner Critic is – potentially – your best friend?
Any tips for utilizing your critical faculty more effectively in the creative process?
The Inner Critic gets a lot of bad press, especially among blocked creatives who wish the nagging critical voice at the back of their mind would disappear. No wonder there’s so much creativity advice on how to banish, silence, or obliterate the Inner Critic. By the time the creative thinking
gurus are done, the Critic’s had a tougher pounding than an extra from Kill Bill
But do you ever wonder why the Critic keeps coming back for more? Could it be that the Critic is actually a very important part of your creative process?
If you think about it, you’d be in big trouble without an Inner Critic. Without some kind of internal quality filter, you’d be happy to churn out any old rubbish – and join the ranks of mediocrities. A finely honed critical faculty is one of the things that separates a creative professional
from the legions of amateurs.
A good producer and a great producer have the same number of ideas – some good, some great. But a great producer will know the difference.
And the great producer’s Inner Critic is the difference that makes the difference. Because the great producer has listened more keenly and thought more sharply about music, she has a more powerful and useful Inner Critic.
So the Inner Critic isn’t the enemy, just an over-zealous friend who’s delivering the criticism too forcefully and without considering your feelings. We all have friends who do that from time to time.
The trick is to get the Critic back “onside,” delivering genuinely constructive criticism. Like the inspiring mentor who urged you to do your best and didn’t accept anything less – but with a supportive and encouraging tone of voice. Leer más “Why Your Inner Critic Is Your Best Friend”