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State of the News Media 2012


Evidence shows that the spread of mobile technology is adding to news consumption—that it’s actually boosting the reading of long-form journalism. Great news for you freelance writers out there who love storytelling.
People who use mobile devices, such as smartphones and tablets, are getting news on these devices, and appear to be getting it frequently. 34% of desktop or laptop computer users now also get news on their smartphones. 27% of smartphone news consumers also get news on their tablet.

But while online audiences grew, print circulation continued to decline. So did ad revenues. When circulation and advertising revenue are combined, the newspaper industry has shrunk 43% since 2000. Here are some of the major trends the study recognized.

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El periodismo en los tiempos de la red


The Guardian y el cuento de los tres cerditos. El periodismo en los tiempos de la red. Más fuentes, bidireccionales y en tiempo real para poder ofrecer “the whole picture”. Si quieres, claro.On open journalism
Guardian open journalism: Three Little Pigs advert – video

This advert for the Guardian’s open journalism, screened for the first time on 29 February 2012, imagines how we might cover the story of the Three Little Pigs in print and online. Follow the story from the paper’s front page headline, through a social media discussion and finally to an unexpected conclusion

Vale la pena verlo.

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The rise of visual journalism – Why infographic thinking is not a fad


by @gordonmacmillan  |  http://wallblog.co.uk -.- Interesting video interview here with designer Francesco Franchi, from Italy’s Intelligence in Lifestyle magazine, who talks about “infographic thinking” and “visual” journalism”. Franchi says that “visual” journalism” combines the graphic and narrative, which he describes

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The Inverted Pyramid Of Visual Design


The idea is that the critical information is presented immediately and then additional information is presented that expands on, explains, and reinforces the main idea.

At any point someone should be able to stop reading without missing the main message. Those who read more get more, but everyone gets the main idea you’re trying to communicate.

The main benefits of the inverted pyramid are:

* It quickly conveys key information
* It establishes a context in which to interpret subsequent information
* It’s initial chunks of information are more likely to be remembered later
* It allows for efficient scanning and searching
* It can be easily edited since least important information is presented last

The above could equally be goals of a good design. We want our designs to quickly communicate important information, be remembered, and establish context, don’t we?

The cons of the inverted pyramid are:

* Doesn’t allow flexibility of building suspense or creating surprise ending
* Can lead to perception of being uninteresting

Whenever it’s important to present information efficiently and quickly, the inverted pyramid is an excellent style to follow. Your lead (opening paragraph) becomes a concise overview of whatever it is you’re writing and you can follow the lead with more detailed chunks of information for those that want to know more.

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In defence of bloggers – we’re not inadequate & pimpled


Andrew Marr has been a hero of mine for a long time. Unfortunately the shine completely fell off this week, when he denounced bloggers as ‘inadequate, pimpled and single’ , while citizen journalism also gets the benefit of his boot, being described as ‘the spewings and rantings of very drunk people late at night’. The rant doesn’t end there, which was carried out against bloggers, at the Cheltenham Literary Festival. This is an incredibly unfortunate episode – the significance of which shouldn’t be underestimated. When someone this influential in the media industry speaks out with such vehemence against bloggers, it’s something you sit up and take notice of.

The single biggest problem with Andrew Marr’s argument, is that he dismisses bloggers in total, as if ‘blogging’ is the unifying factor and therefore we all operate in the same way. This is completely illogical, as if by becoming a blogger, you are immediately like all other bloggers. Compare a Mashable to a Wiggly Worms blog and you see where his argument really falls down ; they are completely different from each other. A blog is a means of producing content, it is a form of content in itself. It really is time to get away from the idea of ‘bloggers’ being one and part of the same crowd. It is really no different to criticise bloggers, than it is is to criticise writers outright. Any point that Andrew Marr might have had is unfortunately lost in this. But putting this misunderstanding to one side, is there any validity in his arguments against citizen journalism?

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Is page reading different from screen reading?


I revise effectively both onscreen and on paper, but I revise differently on paper. I work more at a macro scale. I’m more sensitive to proportion and rhythm and timbre. I see spaces and densities better: the clumps where the prose has grown too dense, the wandering of the path where I ramble, the seams that need to be closed, the misaligned joint that I suddenly realize — yeah; there it is! — is where that paragraph from three pages ahead belongs.

As Jonah asks, Why? Is the manuscript’s physicality giving me a greater sense of physical proportion? Does the act of pressing slickened grooves into the page with my fountain pen somehow invite a corresponding mental penetration? Is the curved, flexible rigidity of five sheets in my hand sharpening my awareness of texture? Or perhaps the slowness of my pen relative to the speed of my typing favors this more structural approach — big cross outs, sections circled and moved wholesale, massive reorganizations planned with quick scribbles in the margin — over the finer-grained tweaks and cutting-and-pasting the keyboard seems to encourage.

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Have a Journalism Startup Idea? Pitch it to Poynter


The ingredient list for a journalism startup once began with ink, presses and trucks. Now the recipe often starts with a domain, a niche and a strategy. The decline in launch costs has helped inspire a boom in journo startups. But just because it’s easier to start something doesn’t mean it’s easier to succeed.

What many journalism entrepreneurs need most is a path to sustainability. The Poynter Institute can help, thanks to 35 years of journalism training experience and a generous grant from the Ford Foundation.

Make your pitch to Poynter.

Enter Poynter’s competition for online startups and you could win the Poynter Promise Prize. Two winners whose ideas best advance the journalistic ideals of The Poynter Institute (“standing for journalism, serving democracy”) will receive up to $10,000 each in contracted accounting, legal, research or promotion work, plus coaching and mentoring by Poynter faculty and our Ford Fellows in Entrepreneurial Teaching.

Winners will spend up to two weeks this winter at Poynter in St. Petersburg, Fla., receiving guidance on their journalism — and business — idea. Then, over the next six months, we’ll continue to coach the venture.

We’re looking for projects that would benefit most from incubation and whose progress might yield insights for other journalism startups around the country. Your business must already have initial funding, even if it is your own money. You must have an idea for a sustainable business model. You must be willing for Poynter to share our work together so that this project can be both a laboratory and a showcase for lessons learned.

Enter your pitch today. Here’s how:

Create a video by Tuesday, Oct. 12, that describes the news product or service you’re building. E-mail pitch@poynter.org with a link to the video. Include in your message the name of your project and your name and contact info.

Keep your video to under three minutes and tell us the basics of your business idea:

1) The problem/opportunity you seek to address
2) Your solution, or your idea
3) Who else is doing this
4) Your planned revenue streams
5) The skills and credentials of you and your team.

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